The Print is the third and final book in The Ansel Adams Photography Series--the seminal guides fully revised by Ansel Adams shortly before his death in 1984. The Print, now available in paperback like the other volumes in the series, belongs on every photographer's shelf. It covers the entire printmaking process, from designing and furnishing a darkroom and experimenting wit...(展开全部)

The Print is the third and final book in The Ansel Adams Photography Series--the seminal guides fully revised by Ansel Adams shortly before his death in 1984. The Print, now available in paperback like the other volumes in the series, belongs on every photographer's shelf. It covers the entire printmaking process, from designing and furnishing a darkroom and experimenting wit...(展开全部)

Turtle is in a big hurry. And that’s hard for turtles to do. But he’s off to see something red and he can’t be late. But is it red like Rabbit’s roses? Or Goat’s socks? Or Fox’s roof? All the neighbors want to know, so off they go in a long parade to follow Turtle. But when he finally stops, there’s nothing red in sight. Until all at once they see red, red, red. Yet another tr...(展开全部)

Ansel Adams produced some of this century's truly memorable photgraphic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. This handbook - the third volume in Adam's celebrated series of books on photographic techniques - has taught a generation of photographers how to explore the artistic possibilities of printmaki...(展开全部)

Ansel Adams produced some of this century's truly memorable photgraphic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. This handbook - the third volume in Adam's celebrated series of books on photographic techniques - has taught a generation of photographers how to explore the artistic possibilities of printmaki...(展开全部)

He was the enfant terrible of graphic design in the nineties. His tortured typography prompted a vocal camp of critics to accuse him of being flippant and of destroying the communicative basis of design. But now the techniques of David Carson (and those of his countless imitators) dominate advertising, design, the Web, and even motion pictures. With 35,000 copies of the origina...(展开全部)

汉娜•亭蒂，美国文学杂志《一个故事》创始人之一，《动物怪谭》获选为2003年美国悬疑小说，海明威文学奖次奖，被翻译成17国语言.长篇小说《THE GOOD THIEF》获《纽约时报》年度好书,被誉为“第二个爱伦坡”。